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Oliver and the Night Giants

為了解決IT freelance的問題，作者O’Meara, Kitty 這樣論述：

What would you do if three giants came to your bedroom window one night and invited you to help them fix the world? That’s exactly what happens to Oliver when he least expects it, in this very special bedtime story. Come along with Oliver and the Night Giants as they explore what happens when we all

ow our imaginations to lead the way!Oliver and the Night Giants begins when three giants appear in Oliver’s bedroom window one evening as he is drifting off to sleep. The giants convince young Oliver, a budding artist, to help them with their nighttime work of repairing the world. Oliver helps the

giants with a long list of nighttime tasks, from brightening the moon to polishing the stars, from adjusting mountains to creating snowflakes, from planting seeds to calming the sea. As he travels the planet and beyond with the Night Giants as an important part of their team. Oliver and the Night G

iants is written in the tradition of a classic children’s literature journey story. This thoughtful, poignant bedtime tale is an homage to the power of the imagination and the significance of valuing one’s dreams, and it is sure to be a favorite with children, families, and teachers. The timeless th

emes and vivid imagery make this story a pleasure to read aloud and for children to read on their own. Kitty O’Meara lives near Madison, Wisconsin, with her husband, Phillip Hagedorn, their five rescue dogs, three cats, gardens, and books. Formerly a middle school writing and literature teacher a

nd hospital and hospice chaplain, she is currently a spiritual director and has been a lifelong writer and artist. She has been called ＂the poet laureate of the pandemic＂ based on her wildly popular, widely circulated, and hopeful poem about the COVID-19 pandemic. That poem is illustrated and presen

ted in book form in And the People Stayed Home, her best-selling first print book, published by Tra Publishing. She is also the author of The Rare, Tiny Flower (Tra Publishing, 2021). PRAISE FOR KITTY O’MEARA ＂Kitty O’Meara is the poet laureate of the pandemic. . . . The poem has become shorthand fo

r a silver-linings perspective during the coronavirus outbreak.＂--O, The Oprah Magazine ＂She has given the world a small piece of joy.＂--BookTrib ＂A communal beacon of hope.＂--The Washington Post ＂She is challenging us to grow--to look inside, to listen deeply, to allow ourselves to think differentl

y, and ultimately, to create new ways of living on the planet.＂--Deepak Chopra, MD, author, Metahuman ＂A stunning and peaceful offering of introspection and hope...＂--The Children’s Book Review ＂O’Meara’s words come to life for future generations to...encourage everyone to find silver linings, think

differently and never lose hope.＂--B & N Reads Born in Genoa, illustrator Anna Pirolli moved to Milan to study illustration at the European Institute of Design, where she graduated in 2001. She has worked as a freelance illustrator and art director for companies such as Mondadori, Pearson, Vogue, M

TV, Kinder Ferrero, Telecom, Nickelodeon, Furla, Zecchino d’oro, Disney, following the creative process from concept to creation. She’s also a visiting professor at the Accademia di Brera in Milan, where she teaches design applied to the arts. Despite her love for traditional techniques, her artwork

is mostly digital. Ironically, her dream-like, suspended atmospheres often don’t look digital at all. Her first picture book, I Hate My Cats, written by Davide Calì, was published by Chronicle Books, and the illustrations from her latest book, Anonymouse by Vikki VanSickle (Tundra Books) won the Di

lys Evans Founder’s Award in the 2021 Society of Illustrators The Original Art Show.

IT freelance進入發燒排行的影片

零工經濟工作者之能力與工作滿意度分析

為了解決IT freelance的問題，作者李京珍 這樣論述：

本研究將研究零工工作的技能水平及其工作滿意度，而其目標是將三個國家進行比較，最後結果將通過調查、分析數據和結論顯示。該研究將使用傳導研究的方法，從北美、南韓和台灣收集數據。本研究將重點根據他們的教育背景、年收入和當前情況來定義高技能零工和低技能零工。在研究中也會解釋零工經濟的定義，該定義將解釋高技能並與高技能零工經濟工作者和低技能零工經濟工作者的教育背景有關。高技能零工和低技能零工的收入關係和人口統計將如何影響零工職業的意願，這些從字面上影響他們從事零工職業的動機，或者他們有不同的零工職業動機。此外，高技能零工和低技能零工與人口的收入關係將解釋收入差異如何影響高技能零工和低技能零工的工作滿意

度。本研究還包含一些圖表，以使解釋更加清晰。

I Understand Everything Better

為了解決IT freelance的問題，作者 這樣論述：

Anexpansive documentation of David Neumann/Advanced Beginner Group’s 2015 ＂deeplyfelt and deeply moving＂ (New York Times)performance piece, a multi-disciplinary, dance-based work that explored theimpulse to report on calamity, the shimmer of attention to realms unseen, andthe evidence of the body as

possessing a will to let go of living. David Neumann’s work as a freelance choreographer, director and performerincludes a wide range of projects and disciplines. Since 1999, Neumann hasworked behind the scenes to craft plays, operas, films and multi-disciplinaryperformances. From avant-garde the

ater to blockbuster films, classic opera tonew musicals, David’s diverse experience has given him a unique ability to articulateideas through performers’ bodies. Whether playing one of Shakespeare’s kings ora virus-infected zombie with an appetite for Will Smith, the performers Neumannworks with gai

n from his multi-layered approach. David coaches individuals, hasmoved dozens of people through city streets, staged a hundred musical numbers, directed puppets, friends and drag queens, organized multiple Greek chorusesand continues to find new ways for the human body to communicate. He has workedw

ith stars from the ballet, film and avant-garde worlds, as well as those neverhaving stepped on a stage, learning valuable lessons from each. Neumann hasmany years of teaching experience working at Juilliard, NYU, Princeton and Yaleand is currently a tenured professor in the Theatre Department at Sa

rah Lawrence College. He has received threeLucille Lortel Award nominations and one Fichandler for his work on Cabaret atArena Stage. He is the Artistic Director of ’Advanced Beginner Group’, amulti-disciplinary performance company, which has been awarded three BessieAwards. He is a 2019 Lucille Lor

tel, Outer Critics Circle, and Tony Awardnominee, as well as the recipient of the 2019 Chita Rivera Award forChoreography for his work on the Broadway musical, ’Hadestown’. Recent and upcomingprojects include the musical ’Swept Away’ at Berkeley Rep, and choreography andcoaching for ’A Marriage Stor

y’, starring Scarlett Johanssen and Adam Driver.Advanced Beginner Group has created three evening length pieces performed in New York at The Kitchen, New York Live Arts, the Chocolate Factory and Abrons ArtsCenter, and on tour at The Walker Arts Center, MASS MoCA, MCA at Chapel Hill, and Alverno Col

lege, to name a few. ABG has been awarded several grants andawards, including three NY Dance and Performance ＂Bessie＂ awards. AdvancedBeginner Group has embarked on another evolutionary shift, in aco-collaboration with theater artist, Marcella Murray on their new piece, ’Distances Smaller Than This

Are Not Confirmed’ which premiered at Abrons ArtsCenter in January, 2020. David Neumann/Advanced Beginner Group embarkson each piece through an organic process begun from scratch, bringing to word, action, and proximity a delighted embrace of our contradictory lives.Contradiction is best felt throug

h humor and it is with a strategic use ofhumor that the work confronts our darker impulses and actions. ABG searches forantidotes to the absolutes that separate us, and so create these works as anirrational response to our perceived place in the universe. In each work, Neumann attempts to uncover a

distinct and complex view of the humanexperience. He embraces contradiction and juxtaposition as a means toward anactive engagement with the audience where performer and observer alike aregiven the potential to find themselves in a more alert state, more open to thesubtleties of their day-to-day exp

erience. To even approach this desiredcomplexity, the work is necessarily multi-disciplinary, as Neumann aims thevarious approaches and disciplines toward one another, and through theircollisions, bend the habitual gestures around new shapes. As adance/theater maker, Neumann focuses his efforts on t

he borders of theintellectual and the phenomenological, the representational and the abstract, and the personal and the cosmological with the intention to make blurry our desire to live inside distinct categories, binaries, and absolutes. David Neumann and Advanced Beginner Group desire an awakened

state, full of surprise, wonder, and humor without ignoring our pain, ennui, and existential longings.

AN ANALYSIS OF THE KEY ASPECTS AND ELEMENTSOF AN EFFECTIVE PERSONAL BRANDING

為了解決IT freelance的問題，作者朱安美 這樣論述：

AbstractIn this age and time where most are moving digitally, marketing a product, a service, or even oneself has evolved from its traditional format of displaying branded images in magazines, newspapers, billboards, TV or radio shows to showcasing an image or a

video to social media platforms. Brand in itself has become not just associated with something but also with somebody; thus the term, personal branding. What gives any individual an avenue to build and maintain a personal brand is social media. Given this medium, opportunities for consumer-brand rel

ationships are opened to broader scope.While researchers have explored on the role of social media in personal branding, the common motives of personal branding, the features of social media, the practices and importance of personal branding, no research, at present, has developed a holistic framewo

rk for all the dimensions of a brand in the existing literature. Previous researches have not examined brand dimensions in the context of social media.This study explores the elements and aspects of popular Youtubers’ brands to identify specific factors that determine effective personal branding onl

ine. Comments were analyzed through qualitative content analysis to identify the perception of their viewers toward their brand image, consistency, and authenticity. The results indicated interrelatedness between brand image and the self-image of its target audience. The majority of the comments als

o revealed entertainment and inspiration as two of the most significant experiences of social media audiences.