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Studies in the History of Medieval Italian Painting

為了解決585 italy的問題，作者Garrison, E. B. 這樣論述：

The four volumes of Edward Garrison's Studies, published between 1953 and 1962, represented a landmark in the study of medieval Italian painting. They made available for the first time photographs of all miniatures of the region and period concerned - principally the former Papal States and Tuscany

in the twelfth century - which the author was able to track down, along with a generous selection of ornamental initials from almost every decorated manuscript he examined. The contemporary wall-paintings and panels from these regions are also illustrated and discussed. They represent one of the mos

t valuable sources of information about twelfth-century painting in existence, and everyone interested in European art of that period has at some time found himself gratefully using them. A serious attempt has been made to get all this material into order, and the general lines of development have b

een set out. These four volumes make available the complete corpus of Edward Garrison's work on medieval Italian painting. The two principal studies are concerned with 'Twelfth-Century Initial Styles of Central Italy' (serialized here in eleven sections) and 'Twelfth-Century Umbro-Roman painting' (s

erialized in six sections). Most of the non-serialized items are studies of individual manuscripts, but one should note the presence here of Supplements IV-VI to Garrison's Italian Romanesque Panel-painting: an index (Nos. I-III are available in Early Italian Painting: Selected Studies. Vol. I). The

reprinting of these four volumes should be particularly welcome to art-historians, since they were originally issued in fascicule form, and many art-historical libraries lack copies. Volume IV Contents: Pictorial Histories XII. A Gradual of S. Stefano, Bologna. Angelica 123 Toward a New History of

the Siena Cathedral Madonnas Sienese Historical Writings and the Dates 1260, 1221 and 1262 applied to Sienese Paintings Additions to Masters: The Avila Bible Master, The Naples Bible Masters, The Second Master of the S. Maria del Fiore Homilary, The Gaddiana Master Pictorial Histories XIII. Manuscri

pts of Spoleto-Norcia Contributions to the History of Twelfth-Century Umbro-Roman Painting VIII. Part II. Materials. The Italian-Byzantine-Romanesque Fusion in the Second Quarter of the Twelfth Century. 1. The Pantheon Bible and its Illustrators, 2. Manuscripts Stylistically Related to the Pantheon

Bible, 3. Other Manuscripts, 4. Umbro-Roman Influence outside the Region Supplement. IV. Precursors of the Revival. I. Local Byzantinizing Style. In the Umbro-Roman Region. la. A Unique Passionary of the Tusco-Umbro-Sabine Region Supplement. V. The Italian, Byzantine, Romanesque Fusion in the First

Quarter of the Twelfth Century. 4. The Genoa Bible Master and his Collaborators Note on the Iconography of Creation and the Fall of Man in Eleventh and Twelfth-Century Rome Rome, S. Clemente, again Pictorial Histories XIV. A Missal of S. Felicita of Florence (Laurenziana, Conv. Soppr. 233) Additiona

l Pre-Revival Umbro-Roman Manuscripts II Twelfth-Century Initial Styles of Central Italy. Indices for the Dating of Manuscripts, Part II. Materials. Supplement II. The Late Geometric Style: Third Quarter of the Twelfth Century. 1. The Umbro-Roman Region, 2. The Florentine Region, 3. Tuscan Manuscrip

ts not more precisely Attributable, 4. The Pisan Region, 7. The Lucchese Region, 8. The Pistoiese Region, 10. Central Italian Manuscripts The Late Twelfth and Early Thirteenth Century. The Late Third or Early Fourth Quarter of the Twelfth Century, The Fourth Quarter of the Twelfth Century, The Late

Twelfth or Early Thirteenth Century, Thirteenth-Century Survival or Revival in Tuscany, Thirteenth-Century Survival or Revival Outside Tuscany Supplement III. Transitional Geometrical Manuscripts, Middle Geometrical Manuscripts, Additional Manuscripts Checklist Corrections and Amplifications Checkli

sts of Other Central Italian Geometrical Manuscripts. The Spoleto-Norcia Region, The Aretine Region Checklist of North Italian Geometrical Manuscripts Addenda ad Indicem VI A Cassinese Psalter and Diurnal (Vat. Urb. Iat. 585) A Tusco-Umbro-Sabine Breviary and Missal (Casanatense 1907) An Emilio-Roma

gnole Homilary-Passionary (Vat. lat. 1267-70) A Florentine-Fiesolan Passionary with Lucchese Decoration (Laurenziana, Conv. Soppr. 298) A Sacramentary for Roman Use with Sicilian Decoration (Vatican, S. Pietro F. 18).

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歐洲文化觀光之研究：以義大利為例

為了解決585 italy的問題，作者馬志蕙 這樣論述：

現代大眾生活與傳播媒體緊密相連，民眾可能因為社群平台上一張旅遊照片就決定旅遊目的地，加上交通工具選項多樣化，縮短觀光景點甚至是國與國的距離，帶動全球觀光產業成長的同時，增加更多不同觀光產品，這之中文化觀光成為許多遊客的選擇，越來越多遊客喜歡接近在地社會，接觸建築、藝術、生活文化，強調與一般觀光不同的行程，促使文化觀光興盛，也是當前世界觀光市場中產值最高、就業人數最多的類型，即使於金融危機期間，一樣維持發展動力。歐洲多元文化一直以來都是吸引觀光客的原因之一，全球觀光人次排名前十名有一半是歐洲國家，產業經濟效益可觀，另一方面歐盟需要提高公民的認同情感應對歐盟擴大影響，發現文化遺產可以連結共同歷史

記憶幫助運作順利，因此成為共同文化政策重要根源，連結原本觀光活動盛行優勢而極力發展文化觀光。義大利身為前幾大觀光市場，歐洲文化孕育地之一及歐盟會員國，文化影響力不可忽略，藉義大利內城市文化觀光案例，了解義大利與歐盟的文化及觀光政策脈絡，期盼完整了解觀光大國經驗。本研究分為五章：第一章介紹研究動機與目的、研究方法與途徑、文獻回顧、研究範圍及架構；第二章講述歐洲聯盟文化及觀光政策，分析政策歷史背景、法源根據和具體行動；第三章說明義大利文化觀光相關法律及了解成因、負責管理之機構，最後一部分探討對內和對外不同文化觀光策略；第四章從解析義大利文化觀光發展優勢開始，就馬泰拉作為實際案例解釋，地方城市、義大

利國家與歐盟如何進行文化觀光合作；第五章針對研究目的進行總結及展望以供參考。