Lover的問題，透過圖書和論文來找解法和答案更準確安心。 我們找到下列評價、門市、特惠價和推薦等優惠

Heretic: Savior, Lover, Killer--The Many Lives and Deaths of Jesus Christ

為了解決Lover的問題，作者Nixey, Catherine 這樣論述：

CATHERINE NIXEY studied classics at Cambridge and taught the subject for several years before becoming a journalist at the Times (UK), where she still works. Her mother was a nun, her father was a monk, and she was brought up Catholic. Author of The Darkening Age, she lives in London with her husban

d and their two children.

Lover進入發燒排行的影片

孟德爾頌兩首〈蘇萊卡〉樂曲分析與研究探討

為了解決Lover的問題，作者李捷 這樣論述：

孟德爾頌(Felix Mendelssohn1809-1847)是19世紀浪漫樂派作曲家，自幼成長在具有濃厚人文氛圍的家庭，他對德國文學詩詞有深厚的興趣。孟德爾頌的作品包括神劇《以利亞》(Elijah, 1845)、五部交響曲、數首管弦樂序曲、小提琴協奏曲…等，他也在短短的一生中創作130餘首藝術歌曲。孟德爾頌於1834至1842年間所創作的《六首歌》(Sechs Gesänge, Op. 34, 1836)及《六首藝術歌曲》(Sechs Lieder, Op. 57, 1842)，當中各包含一首標題為〈蘇萊卡〉(Suleika)的歌曲：分別為〈蘇萊卡：啊，因為你的濕潤羽翼〉(Suleika

: Ach, um deine feuchten Schwingen)與〈蘇萊卡：這悸動意味著什麼？〉(Suleika: Was bedeutet die Bewegung?)。這兩首藝術歌曲的詩詞皆出自於德國人最崇拜的詩人歌德(Johann Wolfgang Goethe, 1749-1832)1814年的作品《西東詩集》(West-östlicher Divan, 1814)，其創作靈感來自歌德賞識的才女維勒梅爾(Marianne von Willemer, 1784-1860)，兩人的戀情亦成為貫穿《西東詩集》的主軸。本書面報告共分為五章：第一章為研究動機、內容形式與方法技巧；第二章探討

孟德爾頌的音樂生涯及其藝術歌曲概述；第三章探究《西東詩集》的背景及歌德與瑪麗安娜的生平；第四章為孟德爾頌兩首〈蘇萊卡〉的創作背景與樂曲分析；第五章結語。

Quantitative Literary Analysis of Aphra Behn’’s Works

為了解決Lover的問題，作者Runge, Laura L. 這樣論述：

Aphra Behn (1640-1689), prolific and popular playwright, poet, novelist, and translator, has a fascinating and extensive corpus of literature that plays a key role in literary history. The book offers an analysis of all of Behn’s literary output. It examines the author’s use of words in terms of

frequencies and distributions, and stacks the oeuvre in order to read Behn’s word usage synchronically. This experimental analysis of Behn’s literary corpus aims to provide a statistical overview of Behn’s writing and a study of her works according to the logic of the concordance. The analysis demon

strates the interpretive potential of digital corpus work, and it provides a fascinating reading of synchronic patterns in Behn’s writing. The book aims to augment the practice of close-reading by facilitating the rapid moves from full corpus to unique subsets, individual texts, and specific passage

s. It facilitates the connections among works that share verbal structures that would otherwise not register in diachronic reading. Each chapter focuses on one type of writing: poetry, drama, and prose. The chapters begin with an overview of the documents that make up the corpus for the genre (e.g.

the 80 published poems attributed to Behn in her lifetime; 18 plays and 12 prose works). A section on statistical commonplaces follows (length of texts, vocabulary density, and most frequent words). Interesting textual examples are explored in more detail for provocative close readings. The statisti

cs then are contextualized with the general language reference corpus for a discussion of keywords. Each chapter features a unique comparative study that illustrates Behn in a specific context. Each chapter analyzes a specific genre and comparative statistical experiments within the genre. The concl

usion compares all three genres to provide a study of Aphra Behn’s oeuvre as a whole. The discussion is focused through the lens of Behn’s most remarkable words. The keywords for her oeuvre as compared to the literary works in the general language reference (fifteen texts) when the proper names and

stage directions are removed to provide an index of Behn’s characteristic themes and qualities: oh, young, lover, love, marry, charming, heart, gay, soft, goes. Each of these words opens a window on her corpus as a whole. A unique case study of a significant author using new literary methodologies,

this book provides an appealing snapshot of Behn’s whole career informed by deep knowledge of the Restoration era and developments in digital humanities and cultural analytics.

寵物依附之新型態關係的金工創作

為了解決Lover的問題，作者林瑋宣 這樣論述：

貓近來成為人類社會所受歡迎的伴侶動物之一，筆者同為愛貓人士，透過觀察周遭親友及自身養貓的經驗，發現人與貓相處並非只有飼養之責，在情緒上的改變，不只是影響貓，甚至是人本身，因此，筆者藉此創作論述，探討現代社會中，人與貓的關係會因為彼此的羈絆，而產生何等的互動及層面的影響。　　本創作論述以「人與寵物：新型態關係」、「依附理論與移情心理學」、「相關藝術家」為基礎學理依據，研究人與貓之間從初始建立關係到相互適應，透過人與貓的視角轉換，從中瞭解貓真正的需求以及人自身情緒上的轉變，並大量使用金屬工藝技法中的金屬敲花與金屬線編織作為創作呈現。　　本創作研究共有六個系列，如同一段人與貓相處的互相適應之過程，

從開始的不安全感，最後，貓成為人心上的溫柔存在。筆者希望所有人在與貓相處時，感到快樂與滿足，同時能夠給予貓和人一樣的尊重與同理心，並且在照顧貓的時候不忽視自己、讓自己的生活依舊是輕鬆自在的，不要因養貓而變得精神緊繃，進而在這段關係中，給予貓還有給予自己，一個自在且舒適的生活環境與心理空間。