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Cultural Views on Online Learning in Higher Education: A Seemingly Borderless Class

為了解決Future of virtual re的問題，作者 這樣論述：

Part I: Catalyzers and Inhibitors in Online Teaching Learning in Higher Ed-ucation. Converging views on a human phenomenon.- Online teaching and learning: going beyond the information given.- When online education helps to cross (symbolic) borders. An empirical study in an Argentinian University.

- Affect as a catalyzer of university students’ choice of learning environments. Voicing the students who opt for in- person university courses.- Part 2: Bridging academic and professional identities through online learn-ing environments.- Designing blended university courses for transaction from ac

ademic learning to professional competences.- Polemic Forums in blended learning as new strategies for a border-less Higher Education.- Subjective senses of learning in hybrid teaching contexts.- The teacher in the in-between place: Teacher identity in ODL.- Part 3: Educating the future self - An in

terdisciplinary view of online teach-ing learning process.- The linguistic landscape approach as a strategy for re-flection and intervention in higher education. Mediations, practices and voices to overcome borders.- Writing a dissertation - expanding the borders of the virtual teaching and learning

process.- Developing educational digital literacies among preservice teach-ers of Portuguese at Universidad Nacional de La Plata. An analysis of students’ resistance.- Part 4- Engendering New Conversations.- The imposed online learning and teaching during COVID -19 times.- Online learning as a cult

ural phenomenon in a complex scenario. A critical view of online learning and teaching process in higher education.

Online Film Production in China Using Blockchain and Smart Contracts: The Development of Collaborative Platforms for Emerging Cr

為了解決Future of virtual re的問題，作者Poujol, Patrice 這樣論述：

This book explores the use of Blockchain and smart contract technologies to develop new ways to finance independent films and digital media worldwide. Using case studies of Alibaba and in-depth, on-set observation of a Sino-US coproduction, as well as research collected from urban China, Hong Kong,

Europe, and the USA, Online Film Production in China Using Blockchain and Smart Contracts explores new digital platforms and what this means for the international production of creative works. This research assesses the change in media consciousness from young urban audiences, their emergence as a p

otential participative and creative community within dis-intermediated, decentralised and distributed crowdfunding and crowdsourcing models. This research proposes solutions on how these young emerging local creative talents can be identified and nurtured early on, particularly those who now produce

creative and artistic audiovisual content whether these works are related to film, Virtual Reality (VR), video game, graphic novels, or music. Ultimately, a new media content finance and production platform implementing blockchain is proposed to bring transparency in the film sector and open doors

to emerging artists in digital media. Appropriate for both professionals and academics in the film industry as well as computer science. When he watched a re-screened version of ’Once Upon a Time in The West’ at age 7 in his home town of Bordeaux, France - better known for its surf scene and its r

ed wine - Dr. Patrice Poujol immediately fell in love with the cinema medium as an art and as a way to share ideas and emotions with others. After 8 years in the financial sector working on institutional and corporate projects including film finance with AIB in Ireland, Dr. Poujol continued his prof

essional path in creative production. He completed the first PhD on blockchain and creative industries worldwide at the School of Creative Media, City University of Hong Kong. He participated in a UCLA exchange and in the intensive MEFTI programme organised by MIT. He is now continuing his research

in the areas of digital entertainment, blockchain and the creative industries as a research fellow of the centre for Applied Computing and Interactive Media (ACIM) at the School of Creative Media, CityU’s Run Run Shaw Creative Media Centre.Taking his research as a solid foundation for his future wor

k, Dr. Poujol is currently integrating his experience, his knowledge and his network in technology, finance, and media to continue his public policy research in Asia and to develop the Lumière Project with a team of experts from the tech world and the film industry. This project should contribute to

make the film industry more equitable, creative, and transparent.

B2B會展參展商展位人員的個人特徵、互動行為及交流表現

為了解決Future of virtual re的問題，作者盧盟方 這樣論述：

企業對企業(B2B)會展被視為行銷人員與現有和潛在顧客進行聯繫的成本效益措施(Bello&Barksdale,1988;Lilien,1983)。 此外，它們被視為企業資訊收集、產品曝光、關係建立和組織學習的寶貴渠道(Hansen,1996;Kerin&Cron,1987; Li,2006)。B2B會展作為行銷媒體的組成部分，為產業買賣雙方提供了一個進行交易、關係和資訊交流的良好平台(Siemieniao&Gębarowski,2017)。現有的展覽文獻缺乏對B2B會展背景下展位人員-展覽參觀者二元互動的前因和後果的系統性和理論性調查。從社會交換理論的角度來看，這項研究的主要目的是研究被忽視

但關鍵的主題，希望提供有趣的理論討論和管理建議。具體而言，本研究試圖發展和測試與展覽相關的模型，該模型的構建旨在找到有關展位人員與參觀者互動的三個問題的初步答案。一、個人特質是否會影響展位人員的互動行為？二、展位人員的顧客導向行為是否可以調解個人特質與互動行為之間的聯繫？ 三、展位人員的互動行為是否會影響參觀者對展位人員的資訊績效和關係績效的評估？本研究模型包含三個主要組成部分。一，展位人員的個人特徵包括以下因素：尋求挑戰(challenge seeking)、工作樂趣(task enjoyment)和外向性格(extraversion personality)。二是展位人員的互動行為，包括資

訊蒐集(information gathering)、B2B會展的關係行銷視角(Relationship Marketing Perspective)和關係綁定(relationship bonding)。三是兩個變數代表展位參觀者在對展位人員的資訊績效(informational performationce)和關係績效(relational performance)的評估。此外，本研究還探討了顧客導向(customer orientation)對個人特徵和互動行為之間Relationship Marketing Perspective的中介效果。 最後，本研究表明：一、內在動機、外向性格和

顧客導向是展位人員互動行為的重要先決條件。二、二元數據表明互動行為與展位參觀者的信息和關係表現密切相關。三、展位人員的顧客導向積極地調解了內在動機和互動行為因素之間的關係。四、展位人員的顧客導向積極地調解了外向性與互動行為因素之間的關係。